The Incredible Hulk Peter David Vol. 1 – Abomination | Review


Published on Mar 16, 2018


Peter David is unanimously considered the writer who has signed the stories of the Hulk the most beautiful of all time. In fact, his long and celebrated run of the Incredible Hulk is a milestone not only in Marvel but in the american comic books in general. When, towards the middle of the eighties, Peter set about writing the story of Bruce Banner, he decided to innovate completely the monthly, creating situations narrative unpredictable and unthinkable.

One of its advantages was to make the Hulk a character complex and multi-faceted. Unlike Bill Mantlo and the other writers of the past, the monster was not the be choleric and childish, unable to dominate and only good to kick some ass. Doing a deep psychological analysis, brought attention to the many hidden sides of Bruce. In addition, in his hands, the Hulk became a hero in constant evolution. Without limits, at a certain point the made grey and the most intelligent and evil than usual, making him assume the identity of Mr. Fixit.

The fan of history were displaced and then Peter, pushed by the same Marvel, raised the Goliath Green loved by all. However, the Hulk was now mature and in addition, the presence of his wife, Betty, of the trusty Rick Jones and the handsome Marlo, the supporting characters essential of the adventures, already undergoing a profound innovation, made the difference. For now, Peter relies on the talent chart of the great Dale Keown, and produced some of the episodes most acclaimed by the public and by the critics, and by returning the Incredible Hulk to its former glory.

These are the stories that Panini Comics began to propose a series of volumes. The first output includes the nn. 379/387 of the Incredible Hulk, and are particularly important. In this period, therefore, Hulk is joined again to Betty, who, however, has its problems and is now far from the girl's rose-tinged and lagnosa a time. Rick is with Marlo and, at least apparently, life is always the same. The unexpected arrival of the components of the mysterious Pantheon, however, it distorts everything. They are beings that are powerful that you recall the legends of Greek and, for reasons which will be explained in the course of the story, they have targeted the Hulk and bring him in to their headquarters.

The members of the Pantheon are not to be considered criminals, but make no qualms about the methods to use to pursue their purposes. Offer David the opportunity to express his proverbial irony, evident in particular with the strong-willed Atalanta and especially with the farcical Ajax that seems to be the caricature of the heroes aggressive and bullies of so many american comics. David also recalls a classic enemy of the Hulk, the Abomination, making it the protagonist of a story-line full of pathos and tension, very exciting.

As if that wasn't enough, it connects to the Infinity Gauntlet, the maxisaga Jim on This, which was the scene of the terrible Thanos. These episodes, in a more or less indirect, are affected by the machinations of the Titan, and there are appearances of Silver Surfer and Dr. Strange, implicated in the vicissitudes related to the Glove of the Infinite. David is unleashed, and is also the time to invent scary criminals as a Gestalt, and to conceive a plot set in Israel, which sees the Goliath of the Green and Sabra he was dealing with a kid definitely lethal.

The irony prevails, but the dramatic tones are not missing. You have to keep in mind that in the Incredible Hulk Peter David often faced up to important issues. And’ what happens in no. 380, where it appears to the psychopath, Crazy Eight, which is visited on death row by Dr. Samson, another vital component of the cast of the series. With this pretext, the author makes a dark, bitter reflection on the death penalty, becoming part of a debate still very much alive in the United States.

In the volume there is also the episode from the annual no. 17, also written by David, which focuses on the problematic parent/child relationships, through the figure of a parent who tells his child to the vicissitudes of the Hulk. The texts and dialogues of Peter are excellent and demonstrate the skills of one of the writers even today, the most relevant of the comics. The drawings are by Dale Keown, penciler style plastic and refined. The action scenes, enhanced by impeccable dynamism, have an almost byrniana. Its strength lies in the characterization of the characters.

Hulk evokes aggressiveness and power, but is less rough than the classic. Betty has an aura delicate, Rick expresses sympathy and Marlo, in the version of Keown, is a sexy bomb. Even the monstrosity of Abomination takes a certain something to the human that makes it less scary than usual. Keown can see the inner torment and it is a detail that does justice to a narrative sequence that is in itself already of great level. The episode with Dr. Samson is instead shown by the less effective Bill Jaaska that, however, is functional, and the annual by John Romita Jr. that makes a work compelling,better than today's made to the DC.

In short, this volume is to consider without if and without but.

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